Film Review: Daughter's Daughter 女兒的女兒 (2024) - Taiwan
Reviewed by Andrew Chan (Film Critics Circle of Australia)
Rating: 7/10
In "Daughter's Daughter," director Huang Xi delves into the intricate layers of familial relationships with a poignant narrative that unfolds gradually, much like the delicate process of thawing frozen emotions. At the heart of this Taiwanese drama lies the powerhouse performance of Sylvia Chang, whose portrayal of Jin "Ai" Aixia resonates with a depth that only a seasoned veteran can deliver.
The film navigates through themes of loss, reconciliation, and the complexities of motherhood as Aixia grapples with the sudden tragedy of losing her daughter, Zuer. The narrative takes a poignant turn as Aixia embarks on a soul-stirring journey to the United States to confront her past and make decisions about a frozen embryo that holds the key to both closure and new beginnings.
While "Daughter's Daughter" may not be a film for those seeking instant gratification, its slow-burning pace rewards viewers who are willing to immerse themselves in its intricate storytelling one minute at a time. The strength of the film lies in its ability to weave a compelling narrative around a unique premise, offering viewers a glimpse into the complexities of human relationships and the enduring bonds that transcend time and distance.
With a strong ensemble cast that includes Karena Lam and Eugenie Liu, the film shines a light on the intricate dynamics between mothers and daughters, exploring the ripple effects of decisions made in the past. Chang's portrayal of Aixia is a masterclass in emotional depth, capturing the essence of a woman at a crossroads between grief and redemption.
"Daughter's Daughter" is a testament to the power of storytelling that lingers long after the credits roll. While its slow-paced nature may not be for everyone, those who appreciate nuanced performances and thought-provoking narratives will find much to savor in this Taiwanese gem. Huang Xi's sophomore feature is a testament to her directorial prowess and a fitting showcase for the talents of Sylvia Chang, reaffirming her status as a cinematic force to be reckoned with. (Neo, 2024)