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Film Review: Joker: Folie à Deux 小丑:雙瘋(2024) - USA

Andrew Chan

Film Review: Joker: Folie à Deux 小丑:雙瘋(2024) - USA

Reviewed by Andrew Chan (Film Critics Circle of Australia)

In the realm of cinematic endeavors, "Joker: Folie à Deux" emerges as a conflicted sequel that juggles the weight of expectations against the harsh light of scrutiny. This iteration of the Joker saga, while anchored by the formidable talent of Joaquin Phoenix and the enigmatic presence of Lady Gaga, struggles to find its footing within the labyrinth of its own narrative.

The penmanship falters, a victim of its own indecision, as the story meanders aimlessly, tantalizing viewers with glimpses of what could have been but ultimately failing to deliver on the promise of chaos and mayhem synonymous with the Joker. Phoenix's performance, a beacon of intensity and depth, shines amidst the murky waters of the screenplay's inadequacies, while Lady Gaga's contribution adds a layer of intrigue to the unfolding drama.

As the tale unfolds within the confines of Arkham Asylum, we witness Arthur Fleck's dance with destiny as he confronts his past sins under the scrutinizing gaze of the legal system. The introduction of Lee Quinn, a captivating addition to Fleck's tumultuous world, injects a new dimension into the narrative fabric, weaving a complex web of love and loss.

Yet, as the trial reaches its crescendo and Fleck grapples with the shadows of his own creation, the film stumbles in its execution, failing to deliver a satisfying culmination to the Joker's odyssey. The denouement, marked by tragedy and betrayal, leaves a bitter aftertaste, a poignant reminder of the fleeting nature of redemption in a world steeped in darkness.

In the grand tapestry of cinematic lore, "Joker: Folie à Deux" stands as a testament to ambition and aspiration, marred by the pitfalls of expectation and the burden of legacy. While Phoenix's portrayal of the Joker remains a beacon of brilliance, the film's narrative missteps and underwhelming resolution serve as a cautionary tale in the annals of cinematic history.

 

I rated it 5/10



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