Film Review: Police Story 3: Supercop 警察故事３超級警察(1992) - Hong Kong
Rating: 9/10
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Reviewed by Andrew Chan (Film Critics Circle of Australia)
Jackie Chan’s “Police Story 3: Supercop”
is not just a movie; it’s a daredevil manifesto, a symphony of stunts, and a testament to the sheer audacity of one of cinema’s greatest physical performers. Directed by Stanley Tong, this third installment in the “Police Story” series elevates the action genre to dizzying heights, blending jaw-dropping choreography with a surprising emotional core. It’s a film that doesn’t just entertain—it leaves you breathless, questioning how anyone could survive making it.
The plot, while serviceable, is secondary to the spectacle. Chan reprises his role as Inspector Chan Ka-Kui, this time teaming up with a fearless mainland Chinese officer, Yang (played by the incomparable Michelle Yeoh). Their mission: to infiltrate a drug cartel led by the ruthless Chaibat (Kenneth Tsang). The narrative is straightforward, but it serves as a sturdy framework for the film’s true purpose—delivering some of the most exhilarating action sequences ever committed to film.
What sets “Supercop” apart is its relentless commitment to practical stunts. Chan, as always, performs his own death-defying feats, but this time he’s matched step-for-step by Yeoh, whose presence is electrifying. Yeoh, already a rising star in Hong Kong cinema, delivers a performance that is both physically astonishing and emotionally grounded. Her character, Yang, is no mere sidekick; she’s a force of nature, a woman who can outfight, outthink, and outdare anyone in her path. Whether she’s leaping onto a moving train, engaging in hand-to-hand combat, or piloting a motorcycle onto a speeding train, Yeoh proves she’s every bit Chan’s equal. Her fearlessness and precision are awe-inspiring, and she steals nearly every scene she’s in.
The chemistry between Chan and Yeoh is palpable, and their partnership adds a layer of camaraderie and mutual respect that grounds the film amidst its chaos. Yeoh’s Yang is not just a token female lead; she’s a fully realized character who commands respect and admiration. Her performance is a reminder that action heroes come in all forms, and her presence elevates the film beyond mere spectacle.
The action sequences are nothing short of miraculous. The climactic set piece, involving a helicopter, a speeding train, and a dangling Jackie Chan, is a masterclass in tension and precision. Tong’s direction ensures that every punch, kick, and explosion is captured with clarity, never succumbing to the shaky camerawork that plagues lesser action films. The choreography is balletic, a perfect blend of humor and danger that has become Chan’s trademark.
Yet, for all its spectacle, “Supercop” isn’t without heart. Chan’s everyman charm shines through, and his willingness to endure punishment for our entertainment is both admirable and slightly insane. The film also touches on themes of loyalty and sacrifice, adding emotional weight to the proceedings. It’s a reminder that, at its core, “Supercop” is about people who risk everything for the greater good.
“Police Story 3: Supercop” is a triumph of action filmmaking, a movie that reminds us why we go to the cinema—to be thrilled, amazed, and inspired. Jackie Chan and Michelle Yeoh are a dream team, and their fearless performances elevate this film to the pantheon of action classics. Yeoh, in particular, shines as a beacon of strength and skill, proving that she is one of the greatest action stars of her generation. (Neo, 2025)
Reviewed on 4K restoration print.