Film Review: Bagman 魔袋 (2024) - USA
I rated it 6.5/10
Reviewed by Andrew Chan (Film Critics Circle of Australia)
“Bagman”, directed by Colm McCarthy and penned by John Hulme, attempts to weave a chilling tale steeped in childhood trauma and myth. The film follows Patrick McKee (Sam Claflin), a father haunted by the specter of the legendary Bagman, a creature that has preyed on children throughout history. When this malevolent force resurfaces to threaten his family, Patrick must confront not only the monster but also the scars of his past.
From the outset, “Bagman” captivates with its promise of a deep psychological exploration. The early scenes adeptly evoke the sense of dread that accompanies childhood fears, effectively tapping into the primal anxieties that linger into adulthood. Claflin delivers a commendable performance, embodying a man caught between his protective instincts and the ghosts of his youth. Antonia Thomas as Karina and Caréll Rhoden as Jake provide solid support, grounding the narrative in familial love amidst the encroaching horror.
However, as the film progresses, it becomes evident that “Bagman” is striving for too much. The narrative meanders, attempting to blend elements of psychological thriller, horror, and family drama, which ultimately dilutes its impact. The film’s ambition is commendable, yet it often feels overstuffed, leaving key themes underexplored. The final act, in particular, spirals into a confusing conclusion that undermines the tension built in earlier sequences. What should have been a cathartic confrontation instead feels rushed and unclear, leaving the audience grappling with unanswered questions.
Despite its shortcomings, “Bagman” shines in its atmospheric cinematography and sound design, which effectively heighten the sense of dread. There are moments where the film’s potential glimmers, hinting at a deeper commentary about the burdens of parenthood and the cyclical nature of fear. Yet, these moments are fleeting, often overshadowed by the film’s narrative disarray.
In summary, “Bagman” is a film that teeters on the brink of greatness but ultimately falls short of its ambitions. With a more focused narrative and a clearer resolution, it could have transformed its intriguing premise into something truly memorable. As it stands, the film is an uneven experience. While it captivates with its exploration of childhood trauma and the insidious nature of fear, it leaves viewers wanting more—a more coherent story, a more satisfying conclusion, and a deeper dive into its rich thematic potential.